Retro Roots & Suburban Boots
Fieldey’s newest mural, Retro Roots & Suburban Boots, is a love letter to the working-class charm of Perth’s northern suburbs from the 1970s through to the 1990s. With Retro Roots & Suburban Boots, Fieldey offers a vibrant, layered response to place—celebrating the working-class identity and rich suburban culture of Perth’s northern suburbs from the 1970s through to the 1990s. Situated in Craigie, where the artist first settled after moving to Perth, the mural interweaves personal narrative with community-sourced memories to tell a collective story of time and belonging.
The design centres on a retro-themed drive-in movie scene, where a couple (complete with resplendent mullet and Farrah Fawcett waves) enjoy a date night with their beloved Kelpie and choc-milk in tow. It’s a loving nod to classic car culture, iconic hairstyles, and the all-terrain status of Ugg boots—details drawn directly from Fieldey's own experience of life in Craigie.
The creative process behind the mural was equally rooted in community connection. Fieldey reached out to residents via local Facebook groups, inviting them to share their memories of growing up in the area. The nostalgic and often hilarious responses inspired many of the mural’s key features: home milk deliveries, horse-shoe rolls, the Binishell dome, black cockatoos and banksias, and even the infamous creepy clown swing. These stories were lovingly woven into the composition, ensuring the final piece feels both personal and collective.
A team of three artists joined Fieldey to bring the mural to life over six days of painting. Together, they transformed the site into a flowing visual narrative that embraces the curve of the wall and is visible from both the freeway and nearby carpark. A dynamic green line snakes through the composition, connecting each element and referencing both physical travel and the deeper idea of intergenerational connection. The artwork’s bright, retro-inspired palette was developed from the Main Roads colour schemes for Hepburn to Whitfords and Whitfords to Ocean Reef, with a splash of bold pink added to modernise and unify the work.
True to its name, Retro Roots & Suburban Boots is more than a nostalgic throwback—it’s a reflection on how much has changed, and how much remains. Classic cars still cruise the streets, mullets have made their comeback, and Ugg boots are as essential as ever. The mural captures that sense of enduring identity, playfulness and local pride with boldness, humour and heart.
Illustration Project Grows at Rehoboth Christian CollegeChristian College
What began as a small commission for a few website illustrations quickly evolved into one of my most rewarding and expansive illustration projects to date – a full suite of 45 illustrations for Rehoboth Christian College, now featured across their website, publications, strategic plan, email footers, signage, and even school buses.
The original brief called for a modern, sketch-style set of characters to reflect the College’s vibrant and diverse community. I was asked to create 8–10 student illustrations and 4–5 adult staff figures, with the possibility of reimagining some of the school’s existing graphics in the new style for continuity. The creative direction focused on subtle movement, muted tones, and a blend of realism with hand-drawn charm. As one email described it:
“I like the relatively abstract style – it’s not aiming for 100% realism, but it’s also not too cartoony… the sketched look and muted colours are great.”
The team’s favourite reference was an image of a girl in a hat, which blended photography, illustration, and collage – an aesthetic that became the visual touchstone for the entire project. The goal was to capture the College’s spirit through warm, expressive illustrations that showcased real diversity – in age, ethnicity, style, and personality – while remaining clean and professional for use across media.
The overwhelmingly positive feedback led to a significant scale-up. It’s been incredibly rewarding to see the illustrations come to life across so many touchpoints, from digital to print and even in animated elements on the web.
Rehoboth Christian College describes itself as “a Christian college, but very forward-thinking” – and this project reflects that perfectly. It was a joy to work with a team that embraced creativity, valued visual storytelling, and gave me the freedom to bring their community to life in a fresh and modern way.
Morley Station Carpark
I was thrilled to win the tender to create a major public artwork for the Morley Station carpark as part of the METRONET project. My concept was selected because of its strong connection to Morley – it referenced iconic institutions and shared experiences from the past 40 years. I wanted the work to create a sense of continuity between the well-established, historical side of Morley and the new, modern space of the train station and its surrounds.
The final artwork was made up of three main areas: a blade wall, a series of perforated screens, and the level 1 balustrade wall. Together, they formed a bold, modern statement that helped shape the arrival and departure experience in a meaningful way.
The blade wall featured the word "Morley" in large, colourful, overlapping letters – a visual reference to the classic Morley Markets font. I included abstract patterns inspired by local history, with nods to the old Boans department store and architectural designs from the area. I also created detailed black-and-white illustrations of curry leaves, olives, dragon fruit and bananas, which tied into the perforated screens nearby.
The perforated screen artwork wrapped around the carpark and offered a modern-retro take on Morley’s past and present. I focused on edible plants as a visual motif, to reflect the influence of Morley’s multicultural communities and how they’ve shaped the local environment and culture.
The level 1 balustrade wall was where I really got to lean into the nostalgia. I combined archival images with playful, colourful references to local culture – starting with the old Boans department store and moving through scenes featuring the Morley Seal sculptures, the Wirrina Drive-In Theatre, and the much-loved Morley Rollerdrome. It was also important for me to acknowledge the area’s Italian and Asian communities, so I included details and colour palettes that spoke to those cultural influences.
This project was a joy to work on – not only because it allowed me to explore Morley’s rich history, but because it reminded me of the power public art has to connect people to place. I hope the finished work brings a sense of pride and recognition to the local community, while welcoming new visitors with a bold and colourful snapshot of what makes Morley unique.
Whiteman Park Underpass Murals
As part of the METRONET Morley–Ellenbrook Line project, I had the honour of collaborating with artist Rohin Kickett to create Seen/Unseen, a large-scale mural for the pedestrian underpass at Whiteman Park Station. Together, we set out to create a visually striking and conceptually layered artwork that would reflect the unique relationship between water, land and people in the Bennett Brook catchment.
The mural is spread across both sides of the underpass, with each wall exploring different aspects of this vital landscape. The north wall focused on the Seen and the Unseen: the surface waters of Bennett Brook and the underground Gnangara Mound aquifer. By layering aerial views with hydro-geographical mapping, we aimed to invite viewers to reflect on how we visualise place, and how so much of what shapes it lies beneath the surface.
Rohin’s style brought a deeply cultural dimension to the work, combining Western mapping techniques with Noongar storytelling. His influence allowed us to present Country as a deeply interconnected space, where every element – from the visible creeks to the underground flows – plays a role in sustaining life.
On the south wall, we mirrored the format of the north but shifted the perspective. The Gnangara Mound was shown as a hidden void – a quiet, powerful force. We introduced ghostly images of animals that rely on this water source, such as fish and waterbirds, highlighting the fragile balance of the ecosystem. Overlays of modern infrastructure, like roads and rail lines, were interwoven with the ancient Biddi (Indigenous pathways), drawing connections between past and present, built and natural, seen and unseen.
My contribution came through the addition of detailed, realistic paintings of native flora and fauna found in Whiteman Park. These were carefully integrated into the layers of mapping and storytelling, representing the quiet but constant presence of wildlife in the area. These details offered a further way for viewers to see the land not just as space, but as a living, breathing entity.
Seen/Unseen was more than just a mural – it was a visual and cultural journey. It was about acknowledging the ongoing story of this landscape and inviting people to see beyond what’s immediately visible. By combining art, history, and ecology, Rohin and I hoped to offer something that would resonate with commuters, residents, and visitors alike – a reminder of the rich, layered connections that bind people to place.
Tom Carroll Portrait
Back in 2016, I had the incredible opportunity to meet former world champion big-wave surfer Tom Carroll at his home in Sydney’s Northern Beaches. The visit wasn’t just to talk surfing – I was there to photograph and sketch Tom in his home environment, alongside his much-loved cat, Chino, as preparation for a portrait painting.
The final artwork captured a quiet, introspective moment between man and animal – a side of Tom not often seen in the public eye. While he’s well known for his fearless approach to surfing, what struck me most was his warmth, humility, and humour. He had the energy of someone who’d lived deeply, but had arrived at a place of peace and self-acceptance. I wanted to translate that into the painting – to reflect not only his achievements but his essence.
My portrait style uses layers of acrylic paint to build depth and texture. The early layers are loose and expressive, creating an emotional base. With each additional layer, I refine the details, gradually guiding the viewer’s attention. In this piece, the more realistic elements were deliberately placed to anchor the composition, allowing the freer, painterly parts to breathe. It’s a balance I love exploring – between structure and spontaneity, realism and emotion.
This portrait of Tom and Chino remains one of my favourites – not just for the final result, but for the experience of meeting someone so iconic and finding, in that moment, something truly human to share.
Manners Hill Park Mural - Peppermint Grove
Securing the tender for Manner’s Hill Park was a testament to the strength of my concept—an elegant and contemporary design that incorporated local flora and fauna in a refined, understated manner.
With this being the Shire of Peppermint Grove’s first mural, my goal was to create an artwork that seamlessly embraced the building while respecting its natural environment. I opted for a modern Australian bush palette, introducing a bold feature colour to provide contrast and visual impact without overwhelming the setting.
To further integrate the mural with its surroundings, I worked with the existing colour of the wall, allowing the artwork to blend harmoniously with the architecture. The design itself is fluid, avoiding hard edges and instead flowing around the building’s sides and the toilet entry walls. This approach not only maximised the space but also ensured the piece felt organic and in tune with its environment.
Bringing this vision to life was a rewarding process, achieved with the support of two assistants over six days of painting. The result is a striking yet sympathetic addition to Peppermint Grove—a mural that enhances rather than imposes, offering a lasting connection between art and nature.
250m-Long Mural for Spearwood Ave, Yangebup
I was awarded a commission through an Expression of Interest (EOI) process to transform a 250-meter-long noise wall on Spearwood Avenue. The wall, which had originally been painted in a drab green colour, had long been an eyesore for the local residents. Positioned along a busy road where cars travel at speeds of up to 70 km/h, the wall had limited visibility to pedestrians, and the challenge was to create an engaging design that would be seen predominantly from passing vehicles.
The brief called for a simple, bright, and fun design that would uplift the area while also reflecting the unique characteristics of the suburb. To guide the design process, I held a community consultation workshop, where local residents shared their thoughts on what made Spearwood special. The feedback was invaluable, with many participants pointing out that the wall’s primary audience would be drivers rather than pedestrians, which meant that intricate details would not be visible. As a result, the design needed to focus on large, semi-abstract shapes that would be effective from a distance.
The mural itself is divided into three sections, each representing a different aspect of the suburb’s ecosystems. The leftmost section depicts the inland market gardens, which are a prominent feature of the area. This part of the mural features stylised representations of flowers and onions, reflecting the agricultural history of Spearwood. The middle section transitions into the wetlands, with abstract shapes representing plants such as banksia, bulrushes, gum trees, and tuart flowers. Finally, the mural moves into the coastal zone, showcasing flora such as pigface, Geraldton wax flowers, dune mosses, cushion bush, and seaweed—plants that are native to the region and reflect the suburb’s connection to the sea.
This thoughtful progression from inland market gardens to wetlands and then to the coast creates a visual narrative that mirrors the natural environment surrounding Spearwood. The design's bold and vibrant colours, combined with its large-scale semi-abstract shapes, ensure that the mural stands out from the passing traffic and provides a visual experience for drivers.
The project was completed over the course of nine days, with myself and a team of skilled assistants working to bring the design to life. The outcome is a mural that not only brightens the once-drab wall but also celebrates the local flora and fauna, giving the residents of Spearwood a meaningful and colourful representation of their community's unique ecosystems.
This project highlights the power of public art in transforming urban spaces and fostering a sense of pride and connection within the community. It was a rewarding experience to work closely with the residents and contribute to the aesthetic improvement of Spearwood Avenue.
Mural for South Coast Baptist College
I was commissioned by South Coast Baptist College to create a student-assisted mural that would serve as both a visual representation of the school’s identity and a celebration of its sporting culture. The brief required the incorporation of the school’s colours, the animals representing the four sports houses, and a verse that aligned with the school’s values.
To initiate the project, I conducted a concept-building workshop with Year 10 art students. This session allowed the students to actively engage in the creative process, sharing their ideas and perspectives on what the mural should represent. Their input was instrumental in shaping the direction of the design, ensuring that the final artwork would be a true reflection of the school community.
The design I developed incorporated the school colours and featured the four sporting house animals, each carefully integrated into the composition to reflect the unique characteristics of the houses and their respective students. The use of bold, vibrant colours helped to create a dynamic and engaging visual, while the animals were positioned in a way that symbolised both the individuality of each house and their collective unity.
The chosen verse was seamlessly woven into the design, reinforcing the values of the school and adding a layer of meaning to the artwork. This thoughtful inclusion ensured that the mural was not only visually striking but also resonated with the students and staff on a deeper level.
A key aspect of this project was the active involvement of the students in the mural’s execution. Throughout the painting process, the Year 10 students had the opportunity to contribute directly to the artwork, allowing them to take ownership of the mural and deepen their connection to the finished piece. This collaboration resulted in a mural that is not only a testament to the school’s spirit but also a reflection of the students’ creativity and commitment.
The completed mural now stands as a vibrant and meaningful addition to South Coast Baptist College, embodying the school’s values, celebrating its sporting achievements, and showcasing the collaborative effort that went into its creation. It was a privilege to work alongside the students and staff, and the mural will undoubtedly continue to inspire pride and community for years to come.
"Homecoming" - a 40m Long Mural for High Wycombe Train Station
I had the privilege of collaborating with the Public Transport Authority, Right Track, and the City of Kalamunda to create a lasting piece of public art. The location was unique: a 38-meter-long, 2.6-meter-high curved wall on Ibis Place in High Wycombe, near the newly established High Wycombe train station. The wall surrounds an electrical substation and is a prominent feature for pedestrians, cyclists, and drivers accessing the station precinct. The goal was to design an artwork that would not only blend with its surroundings but also resonate with the community that interacts with it daily.
The design process began with a workshop involving a group of young people from the Right Track program. The participants identified key themes that would guide the artwork, including connection, the natural beauty of Kalamunda, and local flora and fauna. The animals that were particularly meaningful to the group—such as Black Cockatoos, Jacarandas, and Kangaroos—became central to the mural’s narrative.
Taking these themes to heart, I developed a design that transitions from the geometric shapes of the city to the organic, natural forms found in the surrounding hills. The left side of the wall features sharp, angular shapes that represent the city, while the right side showcases more realistic depictions of the animals—Black Cockatoos, Kangaroos, and Jacarandas—symbolizing the journey home from work through the familiar landscapes of the hills. The transformation of these geometric city animals into more lifelike forms of wildlife reflects the commuters’ own transition from the urban environment to the serene, natural beauty of their hometowns.
The mural’s unique, curved structure means that it must be walked around to fully experience the artwork, mimicking the unfolding landscape as viewed from a moving train. This design invites viewers to engage with the mural as they move through the space, creating a dynamic experience that is always in motion.
Community Mural for Weeip Park Development
As an artist, I believe in the power of art to foster community identity and engagement. The Weeip Park Community Art Mural was a project designed to do just that—creating a vibrant landmark for the Weeip Park Youth Space while involving the young people of Midland to take part as active stakeholders in their own community.
To ensure the mural reflected the voices and experiences of the local youth, I conducted five youth engagement brainstorming sessions and a dedicated workshop. These sessions were designed to gather a diverse range of ideas and stories, ensuring the final artwork was both meaningful and representative of the community. Additionally, drawing on my experience as a YouTube creator, I developed a custom video to promote the project—meeting young people on a platform they use and identify with.
A major theme of the mural is connection—both in the literal sense of Midland’s role as a transport hub and in the way young people come together in shared spaces. The design features colourful squares and shapes that form a semi-realistic map of Midland, highlighting key locations such as schools and Midland Gate. These elements were designed to be accessible for all skill levels, allowing participants to contribute during six community painting days that I facilitated.
Complementing this dynamic map are personal stories and memories, expressed through realistic black-and-white imagery and accompanying text. These contributions, provided by individual young people, create a story trail that visitors can follow throughout the park. The result is a mural that not only enhances the space visually but also serves as a testament to the significance of creative arts in building community and offering young people a sense of belonging and purpose.
This project exemplifies the role of art in shaping public spaces, fostering engagement, and demonstrating to the youth of Midland that creativity is a powerful tool for storytelling, connection, and professional opportunity. I am honoured to have been part of this initiative, and I look forward to seeing the impact it will continue to have on the community.
Food Truck Revamp
Kate, the owner of Grilled to the Mac, one of Perth's best-loved food trucks, invited me to collaborate on the redesign of her iconic van. After 10 years in business, Kate knew it was time for a refresh – something bold and eye-catching that would capture the essence of the business and get people talking.
The design was inspired by a dream Kate had. Picture this: a sandwich with wheels, driving down a cheese road through a landscape filled with American icons that reflected the delicious fast food Grilled to the Mac serves.
I immediately gravitated towards the idea of a hot-rod sandwich – something that would make the original logo stand out and align more with the high-energy, fun vibe of the American fast food culture, while still echoing Grilled to the Mac’s ethos: “to the mac (max).” I set to work, pushing the concept further by blending in elements of classic American hot-rod culture and drawing inspiration from the legendary Ed Roth’s artwork.
Beachside Painting Workshops for Fringe Festival
The City of Stirling approached me to run custom 'drop-in' trucker painting workshops at the stunning Sunset Veranda during the Fringe World Festival. This free activity aimed to kids, parents, and other festival goers.
Over the course of the festival, we facilitated multiple three-hour drop-in workshops. People of all ages showed up eager to customise their very own trucker caps. Each participant could choose from four different coloured caps, and we supplied all the paint pens and pencils needed to turn a blank canvas into something truly special.
The concept was designed to be laid-back and accessible. With the drop-in style, we could accommodate up to 50 people in just two hours, which meant we could include as many participants as possible throughout the day. It also meant that we could cater to different age groups and attention spans.
What I loved the most was seeing the creativity flow, especially when the kids realised they could create their very own piece of wearable art. It was amazing to watch them get absorbed in the painting process, knowing that they would walk away with something they could wear with pride. The joy on their faces when they finished their caps—some even proudly rocking them to school after—was priceless.
New Shop Fit-Out for Bang Digital
To enhance their presence and create an engaging streetscape, they commissioned me to design and paint a 13-metre-long mural on their front fence. The objective was to not only complement the new space but also to capture attention and spark curiosity among passersby.
Renae, the Managing Director, originally suggested a botanical theme, but I wanted to add an extra dimension—something that would make people stop and take a closer look, especially those waiting at the traffic lights right next to the wall. So, I wove in a playful twist: hidden within the lush botanical elements were “things that go bang!”—unexpected explosive motifs that added a layer of intrigue and fun to the piece.
The mural was a hit. So much so that Bang Digital invited me back to bring the magic indoors with three additional murals to inject even more energy into their workspace. For the final internal mural, I took inspiration from their name and designed a bold, typographic piece spelling out 'BANG'. Each letter was brought to life with elements reflecting the company’s ethos and culture.
Collaborative Student-Led Murals at Safety Bay Senior High
I was invited to facilitate two student-assisted murals in collaboration with Safety Bay Senior High School. The aim was to beautify the school and engage students in a creative process. The first mural, created for the school’s 40th Anniversary, and the second, promoting ‘The Arts,’ were painted with the help of selected Year 8 to 10 students and art teacher Tracey Sharpe.
The process started with a brainstorming workshop where I guided the students in developing ideas for the mural. Using their input, I created a professional concept that was approved by the school. A second workshop focused on skills development, where I taught painting techniques to help the students gain confidence before the final full-day painting session. The students brought the walls to life, and Tracey and I finished the murals to a professional standard the following day.
Every project I take on is an opportunity to push creative boundaries and bring a little more art into the world. Whether it's a community focused mural or a large scale corporate piece, my goal is always to create something that tells a story and makes an impact.
Pop-up Beatles Mural for Kaleidoscope Festival
I recently created a stunning pop-up mural paying tribute to The Beatles, as part of Joondalup’s Kaleidoscope Festival.
Taking inspiration from The Beatles' timeless legacy, I infused the piece with meticulous detail and lifelike representation, capturing the essence of each band member. The artwork served as both a nostalgic homage and a modern interpretation, seamlessly blending street art aesthetics with classic rock iconography.
Custom Window Graphics for Coca-Cola
I had the privilege of again working with Coca-Cola, this time on a unique digital window artwork for Polly Coffee Bar, an iconic venue in the heart of Perth’s main cultural precinct. This was an exciting challenge—creating a design that reflected the cafe owner’s vision while subtly incorporating Coca-Cola branding.
Since the final piece was to be printed onto vinyl and applied to the cafe’s windows, I proposed a photographic-based montage. Inspired by the Colombian coffee region, the artwork was shaped by the owner's desire to emphasise coffee, jungles, and the hardworking growers of Latin America.
To make this vision a reality, I teamed up with professional photographer Matt Fieldes and traveled to Colombia’s Zona Cafetera. There, I personally directed the photography process, capturing the lush landscapes and vibrant coffee culture firsthand.
Using these stunning images, I created a rich jungle and coffee montage—bold, immersive, and alive with color. The Coca-Cola branding was woven in subtly, enhancing rather than overpowering the beauty of the scene. The final window is visually striking tribute to coffee culture that perfectly complements Polly Coffee Bar’s atmosphere.
This project was an incredible journey from concept to completion, and I’m thrilled to see it become part of Perth’s creative landscape.
Cult Movie Themed Murals for Winebox Hotel
Another standout project was at Winebox, Chile’s first hotel and winery made entirely from shipping containers. I was invited to create three custom murals in different rooms, blending a wine theme with cult movie references.
Working with my partner Mitch Low, we designed three bespoke murals inspired by Pulp Fiction, Barbarella, and Foxy Brown, each incorporating cheeky wine references. The murals are a blend of black and white realism, with two bright accent colors, carefully matched to each room’s dominant color scheme. Bright retro pop patterns tied everything together, reinforcing the vintage aesthetic while making the murals a seamless part of the interior design.
This visually striking collection of murals enhance the guest experience and serve as a fantastic social media magnet. Visitors frequently share photos of the artwork, turning them into an ongoing promotional tool for the hotel.
Tiki Bar Wall Mural for Streets of Perth
Nikki and Duncan, from Streets of Perth, bought their amazing new home in November last year and asked me to come paint a custom mural to brighten up their outdoor tiki bar. We started stage one last year and on the weekend I came in and finished off stage two by adding Indi the cat and some wood paneling.
The wall originally had a large mosaic on it, but when the house changed hands the old owners took it with them and left a large yellow space to be filled. Nikki and Duncan wanted a trompe l’oeil beach scene with tropical elements to brighten up the space. Inspiration for the beach scene comes from my all time favourite beach, Emily Bay, from Norfolk Island, where I grew up and spent many happy days swimming as a kid.
Our model is the stunning Marina Martini and the cat is the princess of the house, Indi, the rag doll. If they had a pet Macaw it probably wouldn’t last long in a house with cats! Big thank you to Nikki and Duncan for being awesome hosts, Marina for being an awesome model and also to Mitch Low for being no. 1 best minion.
Huge (30M) Mural for Stockland Bull Creek Shopping Centre
I recently had the opportunity to be the chief facilitator and muralist for a project that brought together creativity, community, and local culture. Stockland Bull Creek Shopping Centre commissioned me to create a mural on a massive 30-meter exterior wall, and what made it even more exciting was the involvement of a talented group of Year 11 students from Melville Senior High.
The mural needed to reflect the natural surroundings of the area while using bright colors and an eye-catching narrative. After brainstorming with the students, two inspiring art teachers—Ali Blackwell and Jenna Antoniolli—joined the team, and together we developed a design that reflected the local environment in a meaningful way.