Mexican-Themed Nightclub Fit-Out

Entertainment Enterprises commissioned me to transform Paramount nightclub in Northbridge, Perth, into a vibrant Mexican-themed party venue: Señor Peppers. The brief was clear—bring the energy of a Dia de los Muertos (Day of the Dead) fiesta to life, with playful and eye-catching artwork that would complement the venue’s new identity.

I spent two weeks painting four massive interior walls during the re-fit construction phase. This was no small feat—large scaffolds became my new best friends as I tackled a particularly tricky 7m x 5m staircase wall, which was transformed into a lively scene of dancing skeletons.

Every brushstroke was carefully considered to align with the interior design and furnishings, ensuring that the murals blended seamlessly into the final aesthetic of the venue. Bold, dynamic colours set the stage for a space that radiated fun, energy, and a true Mexican party vibe.

To capture the spirit of the project, I created a fun ‘making of’ video for Señor Peppers, giving people a behind-the-scenes look at the creative process. This became a fantastic way for the venue to engage with their audience on social media, building excitement before the grand opening.

The end result was a visually striking venue filled with colour, character, and an unmistakable fiesta atmosphere. Seeing my work become an integral part of Señor Peppers was incredibly rewarding, and I couldn’t have been happier to bring this vision to life.

¡Viva la fiesta!

A vibrant wall mural featuring colorful skeletons in traditional attire, cacti, a sun motif, and other bright elements in a yellow, red, and green palette.

Entertainment Enterprises commissioned me to transform Paramount nightclub in Northbridge, Perth, into a vibrant Mexican-themed party venue: Señor Peppers. The brief was clear—bring the energy of a Dia de los Muertos (Day of the Dead) fiesta to life, with playful and eye-catching artwork that would complement the venue’s new identity.

I spent two weeks painting four massive interior walls during the re-fit construction phase. This was no small feat—large scaffolds became my new best friends as I tackled a particularly tricky 7m x 5m staircase wall, which was transformed into a lively scene of dancing skeletons.

Every brushstroke was carefully considered to align with the interior design and furnishings, ensuring that the murals blended seamlessly into the final aesthetic of the venue. Bold, dynamic colours set the stage for a space that radiated fun, energy, and a true Mexican party vibe.

To capture the spirit of the project, I created a fun ‘making of’ video for Señor Peppers, giving people a behind-the-scenes look at the creative process. This became a fantastic way for the venue to engage with their audience on social media, building excitement before the grand opening.

The end result was a visually striking venue filled with colour, character, and an unmistakable fiesta atmosphere. Seeing my work become an integral part of Señor Peppers was incredibly rewarding, and I couldn’t have been happier to bring this vision to life.

¡Viva la fiesta!

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Murals, Portraits, Corporate Commissions Haylee Fieldes Murals, Portraits, Corporate Commissions Haylee Fieldes

Amazing New Mural for Santa Fe Restaurant!

“Paint the best wall mural you’ve ever painted…” This was my brief from Andrew and Sue at Santa Fe Restaurant in Subiaco, Perth. After 8 days of painting and pushing myself to the max, I managed to produce the best mural I had painted to date.

A mural of Frida Kahlo featuring her portrait with a heart in her hand, surrounded by lush green leaves and tropical flowers. "There have been two great accidents in my life. One was the tram, and the other was Diego. Diego was by far the worst"

“Paint the best wall mural you’ve ever painted…” This was my brief from Andrew and Sue at Santa Fe Restaurant in Subiaco, Perth. After 8 days of painting and pushing myself to the max, I managed to produce the best mural I had painted to date.

Frida Kahlo was a Mexican artist who had a famously tragic life – from having Polio as a child, to being impaled by a tram in an accident when she was 18, which led to multiple spinal operations. She is one of my favourite artists and when Sue and Andrew asked me to paint the inside of iconic Santa Fe restaurant, I jumped at the chance to paint a tribute to Frida and her relationship with her on-and-off-again husband, Diego Rivera whom she affectionately called her “toad-frog”.

Apart from being a famous muralist, Diego was a well known womaniser and their relationship was famously tumultuous; a thrilling story of adultery, bisexuality and general disfunction. They divorced in 1939 and then remarried again the next year.

The structure of the mural is loosely based on one of my favourite paintings of hers, Las Dos Fridas (The Two Fridas) which shows two “Fridas” sitting side by side, with exposed hearts linked together with blood vessels. She painted it shortly after her divorce from Diego in 1939 and it records her emotions surrounding the crisis.

In Santa Fe, Frida is in the main room, with her beloved, ‘toad-frog’, Diego, in the next room. Though they aren’t looking directly at each other, they’re linked by their hearts which are each looking for the other. It’s both a tribute to their own relationship, but also more generally, a comment about the bonds of love and relationships.

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Corporate Commissions, Surf Art Haylee Fieldes Corporate Commissions, Surf Art Haylee Fieldes

Surfboard Graphic to Promote CITROËN Europe & Ripcurl's NEW CACTUS C4

Back in March 2016, I had the incredible opportunity to be part of a unique project with Havas Work Club in London. The campaign aimed to launch the new RipCurl edition Citroën C4 Cactus, and they wanted to combine surf culture with automotive style in a way that hadn't been done before. To bring this vision to life, they called on three of the world’s best surf artists—one of which was me, representing Australia.

We were challenged with creating custom surfboard graphics that would not only fit the vibe of Citroën’s rugged yet stylish vehicle but also align with RipCurl's spirit of adventure. To make it even more exciting, we were asked to film the entire process on GoPro cameras to give fans a behind-the-scenes look at how we created the art. The idea was to make the campaign feel as authentic as the boards we were painting.

A hand-painted surfboard standing in the sand, sea grass and sky in the background. The board features a blue Citreon 4Wd on sand dunes, with a vintage diver in ocean below, tentacles surrounding them. Overhead a single tentacle dangles a car key

In March 2016, I had the incredible opportunity to be part of a unique project with Havas Work Club in London. The campaign aimed to launch the new RipCurl edition Citroën C4 Cactus, and they wanted to combine surf culture with automotive style in a way that hadn't been done before. To bring this vision to life, they called on three of the world’s best surf artists—one of which was me, representing Australia.

We were challenged with create custom surfboards that would fit the vibe of Citroën’s rugged yet stylish vehicle and align with RipCurl's spirit of adventure. To make it even more exciting, we were asked to film the entire process on GoPro cameras to give fans a behind-the-scenes look at how we created the art. The idea was to make the campaign feel as authentic as the boards we were painting.

For my part, I hand-painted an artwork that was inspired by the natural textures of surfboards and the energy of the ocean. After completing the piece, I carefully photographed it, digitised the image to meet the agency’s specifications, and sent it off to Havas in London. They printed the artwork onto a mesh inlay, which was then glassed into specially handcrafted surfboards.

The real magic happened when those boards were photographed in their natural element—alongside the Citroën C4 Cactus. The final result was stunning: a fusion of art, sport, and the open road that was showcased in print and online across Europe. The campaign a huge success and the boards were later auctioned off for charity, giving back to The Wave Project; a group based in Cornwall, that help young adults to gain confidence and reduce anxiety through surfing,

The "making of" videos we filmed became a powerful tool in promoting the campaign, giving viewers a glimpse of the creative process and the passion behind each board. It was an amazing experience to be a part of such a global project that brought together the worlds of surfing, automotive design, and art.

Click to read more about the campaign and see the boards in action!

A black and white concept sketch for a surfboard design by Fieldey. It features a woman lounging atop a Citroën car, with a large octopus wrapped around the vehicle below. Handwritten notes describe design intentions
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Iron Fist Clothing Merchandise

I had the privilege of partnering with Iron Fist Clothing between 2013 and 2015 to create hand-painted artwork for their clothing ranges. This collaboration involved designing artwork that embodied the brand’s edgy, bold aesthetic while being adaptable across a diverse array of merchandise.

The challenge was to create artwork with a hand-painted feel while delivering high-resolution digital files, ensuring the designs could be reproduced across various items, from shoes and bags to clothing and bikinis. The brief was clear: the designs needed to be vibrant, fun, and youthful, perfectly aligning with Iron Fist’s alternative, femme-focused customer base.

A model wears a tank top featuring a hand painted design. A bold sugar skull with realist blue eyes, red bangs, and a slight wry smile adorns the shirt. Roses and frame the design.
A hand painted bag featuring a bold sugar skull with teal and pink hair. Teal and pink abstract designs frame the skull and a red fabric flower is pinned at the base of the handle, as if in the skull's hair

I had the privilege of partnering with Iron Fist Clothing between 2013 and 2015 to create hand-painted artwork for their clothing ranges. This collaboration involved designing artwork that embodied the brand’s edgy, bold aesthetic while being adaptable across a diverse array of merchandise.

The challenge was to create artwork with a hand-painted feel while delivering high-resolution digital files, ensuring the designs could be reproduced across various items, from shoes and bags to clothing and bikinis. The designs needed to be vibrant, fun, and youthful - perfectly aligning with Iron Fist’s alternative, femme-focused customer base.

Over the course of the three years, I produced six unique pieces of artwork. These designs were applied to a wide range of apparel, helping to define the brand's distinct identity and appeal to a broad audience. It was incredibly rewarding to see my art featured across so many different products, knowing it resonated with Iron Fist’s customers around the world.

A single pink high-heeled peep-toe shoe decorated with intricate tattoo-style illustrations by Fieldey. The artwork includes roses, mushrooms, skulls, and a skeletal creature, all rendered in vibrant reds, greens, purples, and blues
A close-up of a vibrant handbag by Iron Fist, featuring Fieldey’s artwork of a stylised sugar skull woman with teal and magenta hair, green eyes, and face paint inspired by Día de los Muertos. A bright red fabric flower is attached near the handle
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Corporate Commissions, Murals Haylee Fieldes Corporate Commissions, Murals Haylee Fieldes

Jazz Themed Mural for Four Points by Sheraton

Back in November 2015, Best Brew Bar at Four Points by Sheraton in Perth decided it was time to spice up its vibe. The once-plain walls were in desperate need of some personality, and the team behind the bar wanted to create a space that felt both fresh and professional.

Their idea was simple: combine cool portrait art with intricate patterns to give the bar a lively atmosphere. But there was one catch—the artwork needed to incorporate the bar’s corporate color scheme of grey, red, and green.

Enter artists Fieldey and Rob Jenkins, who totally nailed the brief. Fieldey brought a bold, jazz-inspired portrait to life on the back wall, adding a unique human touch to the bar. Meanwhile, Rob Jenkins worked his magic with stunning leaf patterns that swirled around the space, connecting beautifully with the mural and giving the bar an extra pop.

A beautiful, detailed, black and white portrait of a musician resting his cheek against his cello as he embraces it from behind. His vibrant green suit stands out against the monochromes of his skin and is reflected back in the wood of his cello.

In November 2015, Best Brew Bar at Four Points by Sheraton Hotel in Perth reached out looking to breathe new life into its once-bare walls. Seeking to create an atmosphere that combined both artistic vibrancy and a professional touch, the venue invited myself and fellow Perth artist Rob Jenkins to create a striking Jazz themed mural.

The bar wanted to fuse my detailed, realistic portrait art with intricate patterning to cover much of the space. Furthermore, they wanted incorporate the venue’s corporate color palette—primarily grey with accents of red and green—into the piece to maintain a sense of continuity and belonging.

Rob and I rose to the occasion, delivering a stunning transformation that leaves a lasting impression. I took center stage with a striking, jazz-themed portrait adorning the rear wall, bringing a human element to the bar's design. Meanwhile, Rob’s signature leaf patterns flowed seamlessly around the bar, interacting with the mural and adding depth and movement to the space.

The final result was a beautiful, large scale mural that draws the eye and adds atmosphere and class to the space. This piece elevates the venue’s aesthetic appeal and ensures that it stands out as a vibrant cultural hub within Perth.

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