Mexican-Themed Nightclub Fit-Out
Entertainment Enterprises commissioned me to transform Paramount nightclub in Northbridge, Perth, into a vibrant Mexican-themed party venue: Señor Peppers. The brief was clear—bring the energy of a Dia de los Muertos (Day of the Dead) fiesta to life, with playful and eye-catching artwork that would complement the venue’s new identity.
I spent two weeks painting four massive interior walls during the re-fit construction phase. This was no small feat—large scaffolds became my new best friends as I tackled a particularly tricky 7m x 5m staircase wall, which was transformed into a lively scene of dancing skeletons.
Every brushstroke was carefully considered to align with the interior design and furnishings, ensuring that the murals blended seamlessly into the final aesthetic of the venue. Bold, dynamic colours set the stage for a space that radiated fun, energy, and a true Mexican party vibe.
To capture the spirit of the project, I created a fun ‘making of’ video for Señor Peppers, giving people a behind-the-scenes look at the creative process. This became a fantastic way for the venue to engage with their audience on social media, building excitement before the grand opening.
The end result was a visually striking venue filled with colour, character, and an unmistakable fiesta atmosphere. Seeing my work become an integral part of Señor Peppers was incredibly rewarding, and I couldn’t have been happier to bring this vision to life.
¡Viva la fiesta!
Entertainment Enterprises commissioned me to transform Paramount nightclub in Northbridge, Perth, into a vibrant Mexican-themed party venue: Señor Peppers. The brief was clear—bring the energy of a Dia de los Muertos (Day of the Dead) fiesta to life, with playful and eye-catching artwork that would complement the venue’s new identity.
I spent two weeks painting four massive interior walls during the re-fit construction phase. This was no small feat—large scaffolds became my new best friends as I tackled a particularly tricky 7m x 5m staircase wall, which was transformed into a lively scene of dancing skeletons.
Every brushstroke was carefully considered to align with the interior design and furnishings, ensuring that the murals blended seamlessly into the final aesthetic of the venue. Bold, dynamic colours set the stage for a space that radiated fun, energy, and a true Mexican party vibe.
To capture the spirit of the project, I created a fun ‘making of’ video for Señor Peppers, giving people a behind-the-scenes look at the creative process. This became a fantastic way for the venue to engage with their audience on social media, building excitement before the grand opening.
The end result was a visually striking venue filled with colour, character, and an unmistakable fiesta atmosphere. Seeing my work become an integral part of Señor Peppers was incredibly rewarding, and I couldn’t have been happier to bring this vision to life.
¡Viva la fiesta!
Amazing New Mural for Santa Fe Restaurant!
“Paint the best wall mural you’ve ever painted…” This was my brief from Andrew and Sue at Santa Fe Restaurant in Subiaco, Perth. After 8 days of painting and pushing myself to the max, I managed to produce the best mural I had painted to date.
“Paint the best wall mural you’ve ever painted…” This was my brief from Andrew and Sue at Santa Fe Restaurant in Subiaco, Perth. After 8 days of painting and pushing myself to the max, I managed to produce the best mural I had painted to date.
Frida Kahlo was a Mexican artist who had a famously tragic life – from having Polio as a child, to being impaled by a tram in an accident when she was 18, which led to multiple spinal operations. She is one of my favourite artists and when Sue and Andrew asked me to paint the inside of iconic Santa Fe restaurant, I jumped at the chance to paint a tribute to Frida and her relationship with her on-and-off-again husband, Diego Rivera whom she affectionately called her “toad-frog”.
Apart from being a famous muralist, Diego was a well known womaniser and their relationship was famously tumultuous; a thrilling story of adultery, bisexuality and general disfunction. They divorced in 1939 and then remarried again the next year.
The structure of the mural is loosely based on one of my favourite paintings of hers, Las Dos Fridas (The Two Fridas) which shows two “Fridas” sitting side by side, with exposed hearts linked together with blood vessels. She painted it shortly after her divorce from Diego in 1939 and it records her emotions surrounding the crisis.
In Santa Fe, Frida is in the main room, with her beloved, ‘toad-frog’, Diego, in the next room. Though they aren’t looking directly at each other, they’re linked by their hearts which are each looking for the other. It’s both a tribute to their own relationship, but also more generally, a comment about the bonds of love and relationships.
Surfboard Graphic to Promote CITROËN Europe & Ripcurl's NEW CACTUS C4
Back in March 2016, I had the incredible opportunity to be part of a unique project with Havas Work Club in London. The campaign aimed to launch the new RipCurl edition Citroën C4 Cactus, and they wanted to combine surf culture with automotive style in a way that hadn't been done before. To bring this vision to life, they called on three of the world’s best surf artists—one of which was me, representing Australia.
We were challenged with creating custom surfboard graphics that would not only fit the vibe of Citroën’s rugged yet stylish vehicle but also align with RipCurl's spirit of adventure. To make it even more exciting, we were asked to film the entire process on GoPro cameras to give fans a behind-the-scenes look at how we created the art. The idea was to make the campaign feel as authentic as the boards we were painting.
In March 2016, I had the incredible opportunity to be part of a unique project with Havas Work Club in London. The campaign aimed to launch the new RipCurl edition Citroën C4 Cactus, and they wanted to combine surf culture with automotive style in a way that hadn't been done before. To bring this vision to life, they called on three of the world’s best surf artists—one of which was me, representing Australia.
We were challenged with create custom surfboards that would fit the vibe of Citroën’s rugged yet stylish vehicle and align with RipCurl's spirit of adventure. To make it even more exciting, we were asked to film the entire process on GoPro cameras to give fans a behind-the-scenes look at how we created the art. The idea was to make the campaign feel as authentic as the boards we were painting.
For my part, I hand-painted an artwork that was inspired by the natural textures of surfboards and the energy of the ocean. After completing the piece, I carefully photographed it, digitised the image to meet the agency’s specifications, and sent it off to Havas in London. They printed the artwork onto a mesh inlay, which was then glassed into specially handcrafted surfboards.
The real magic happened when those boards were photographed in their natural element—alongside the Citroën C4 Cactus. The final result was stunning: a fusion of art, sport, and the open road that was showcased in print and online across Europe. The campaign a huge success and the boards were later auctioned off for charity, giving back to The Wave Project; a group based in Cornwall, that help young adults to gain confidence and reduce anxiety through surfing,
The "making of" videos we filmed became a powerful tool in promoting the campaign, giving viewers a glimpse of the creative process and the passion behind each board. It was an amazing experience to be a part of such a global project that brought together the worlds of surfing, automotive design, and art.
Click to read more about the campaign and see the boards in action!
Iron Fist Clothing Merchandise
I had the privilege of partnering with Iron Fist Clothing between 2013 and 2015 to create hand-painted artwork for their clothing ranges. This collaboration involved designing artwork that embodied the brand’s edgy, bold aesthetic while being adaptable across a diverse array of merchandise.
The challenge was to create artwork with a hand-painted feel while delivering high-resolution digital files, ensuring the designs could be reproduced across various items, from shoes and bags to clothing and bikinis. The brief was clear: the designs needed to be vibrant, fun, and youthful, perfectly aligning with Iron Fist’s alternative, femme-focused customer base.
I had the privilege of partnering with Iron Fist Clothing between 2013 and 2015 to create hand-painted artwork for their clothing ranges. This collaboration involved designing artwork that embodied the brand’s edgy, bold aesthetic while being adaptable across a diverse array of merchandise.
The challenge was to create artwork with a hand-painted feel while delivering high-resolution digital files, ensuring the designs could be reproduced across various items, from shoes and bags to clothing and bikinis. The designs needed to be vibrant, fun, and youthful - perfectly aligning with Iron Fist’s alternative, femme-focused customer base.
Over the course of the three years, I produced six unique pieces of artwork. These designs were applied to a wide range of apparel, helping to define the brand's distinct identity and appeal to a broad audience. It was incredibly rewarding to see my art featured across so many different products, knowing it resonated with Iron Fist’s customers around the world.
Jazz Themed Mural for Four Points by Sheraton
Back in November 2015, Best Brew Bar at Four Points by Sheraton in Perth decided it was time to spice up its vibe. The once-plain walls were in desperate need of some personality, and the team behind the bar wanted to create a space that felt both fresh and professional.
Their idea was simple: combine cool portrait art with intricate patterns to give the bar a lively atmosphere. But there was one catch—the artwork needed to incorporate the bar’s corporate color scheme of grey, red, and green.
Enter artists Fieldey and Rob Jenkins, who totally nailed the brief. Fieldey brought a bold, jazz-inspired portrait to life on the back wall, adding a unique human touch to the bar. Meanwhile, Rob Jenkins worked his magic with stunning leaf patterns that swirled around the space, connecting beautifully with the mural and giving the bar an extra pop.
In November 2015, Best Brew Bar at Four Points by Sheraton Hotel in Perth reached out looking to breathe new life into its once-bare walls. Seeking to create an atmosphere that combined both artistic vibrancy and a professional touch, the venue invited myself and fellow Perth artist Rob Jenkins to create a striking Jazz themed mural.
The bar wanted to fuse my detailed, realistic portrait art with intricate patterning to cover much of the space. Furthermore, they wanted incorporate the venue’s corporate color palette—primarily grey with accents of red and green—into the piece to maintain a sense of continuity and belonging.
Rob and I rose to the occasion, delivering a stunning transformation that leaves a lasting impression. I took center stage with a striking, jazz-themed portrait adorning the rear wall, bringing a human element to the bar's design. Meanwhile, Rob’s signature leaf patterns flowed seamlessly around the bar, interacting with the mural and adding depth and movement to the space.
The final result was a beautiful, large scale mural that draws the eye and adds atmosphere and class to the space. This piece elevates the venue’s aesthetic appeal and ensures that it stands out as a vibrant cultural hub within Perth.
Coca-Cola Space Activation Murals
In November 2015, Coca-Cola tapped renowned Perth street artist Fieldey to bring a touch of retro flair to the legendary Ocean Beach Hotel (OBH) in Cottesloe, Western Australia. The project aimed to bring the vibrant spirit of the beach to life while subtly incorporating Coca-Cola branding.
Fieldey’s first masterpiece adorns the downstairs bar, where she transformed a wall into a stunning depiction of Cottesloe Beach. A custom-painted ‘Gidget’ surfboard was mounted on top, seamlessly tying in with the area’s surf culture. Coca-Cola branding was cleverly integrated, with two retro Coke bottles nestled in the sand and a logo etched onto the surfboard, maintaining a playful yet subtle nod to the brand.
In November 2015, Coca-Cola contacted me, to bring a touch of retro flair to the legendary Ocean Beach Hotel (OBH) in Cottesloe, Western Australia. The project aimed to bring the vibrant spirit of the beach to life while subtly incorporating Coca-Cola branding.
My first mural adorns the downstairs bar, where I transformed a wall into a stunning depiction of Cottesloe Beach. A custom-painted ‘Gidget’ surfboard was mounted on top, tying in with the area’s surf culture, and bringing the art off of the wall and into the space. Coca-Cola branding was subtly integrated, with two retro Coke bottles nestled in the sand and a logo etched onto the surfboard, maintaining a playful yet subtle nod to the brand.
Upstairs at the rooftop bar, I took a different approach with a tiki-inspired mural. The faux wood-paneled design captures the essence of retro beachside bars, complete with a pin-up model sipping a Coke and a glowing neon Coke sign. This vibrant artwork has quickly become a fan favorite, with countless Instagram photos circulating featuring the stunning mural.
The murals have transformed the OBH into a visual spectacle but and become a key part of the bar’s atmosphere. To document the creative process, I produced two custom videos that give a behind-the-scenes look at the project.
These murals are a perfect blend of art, culture, and branding, leaving an unforgettable mark on the iconic Ocean Beach Hotel and further solidifying the relationship between Coca-Cola and artistic expression.
LIQUITEX Skate Art for OZ Comic-Con
In April 2015, Jasco commissioned artist Fieldey to create three unique skate decks for display at Oz Comic-Con in Melbourne, showcasing the versatility of Liquitex products. Fieldey used her signature graffiti-inspired techniques, including basic fades, a liquid soap effect, and chains as stencils, to bring her designs to life.
The three decks featured distinct themes: a Little Red Riding Hood-inspired design, a wild blue and green bulldog, and a tattoo-style board with skulls and chains. Each piece demonstrated how Liquitex aerosol and acrylic paints could work together to create vibrant, textured artworks.
In April 2015, Jasco commissioned me to create three unique skate decks for display at Oz Comic-Con in Melbourne, showcasing the versatility of Liquitex paint products.
I focused on graffiti-inspired techniques, including basic fades, a liquid soap effect, and chains as stencils, to bring my designs to life.
Each skate deck is a storytelling piece - a "Story Boards".
Little Red Riding Hood-Inspired Deck: This design took a playful, dark twist on the classic fairy tale character, with Fieldey’s signature blend of colors and sharp contrasts.
Crazy Blue/Green Bulldog Deck: A wild, energetic design featuring a bulldog in vibrant blues and greens, this deck was a bold representation of Fieldey’s high-energy artistic style.
Skulls and Chains Tattoo-Inspired Deck: With intricate detailing and a moody, monochrome color scheme, this deck captured the essence of tattoo art, showcasing a mastery of both spray paint and acrylic techniques.
A “making of” video, which documents my process from start to finish, was played throughout the event, offering viewers an intimate glimpse of the artistic journey behind the skate decks. The video was later shared across Liquitex Australia’s social media channels, amplifying the success of the collaboration and showcasing my approach to using Liquitex products.
The collaboration brought a burst of color and creativity to an already vibrant Oz Comic-Con, and also highlighted the endless possibilities of Liquitex paints in the hands of a skilled artist. I am always delighted to have oppertunities to work at the intersection of street art and fine craftsmanship.
Seven Skates - Skateboard Range
Perth Street artist, Fieldey, tasked with designing four unique graphics. Fieldey drew inspiration from diverse music genres, including tie-dye, hip-hop, Rasta, and punk culture, to craft an eye-catching collection aimed at a younger audience. The creative process led to the development of striking skull designs, each serving as a bold emblem for its respective genre. Staying true to her signature style, Fieldey meticulously hand-painted each piece before digitizing them for final production. The completed designs were delivered to the client in EPS format, ensuring high-quality, scalable artwork suitable for various applications. This latest project showcases Fieldey’s ability to merge artistic expression with cultural themes, reinforcing her reputation as a leading force in contemporary skateboard art. With its fusion of music, youth culture, and street-style aesthetics, the collection is set to make waves in the skateboard community.
I was given the unique opportunity to showcase my bold, urban inspired painting style, this time with a vibrant new skateboard range that fuses art and music.
Tasked with designing four unique graphics, I drew inspiration from diverse music genres, including tie-dye, hip-hop, Rasta, and punk culture, to craft an eye-catching collection aimed at a younger audience.
Staying true to my signature style, I meticulously hand-painted each piece with striking skull designs, each serving as a bold emblem for its respective genre, before digitising them for final production.
The completed designs were delivered to the client in EPS format, ensuring high-quality, scalable artwork suitable for various applications. This project showcases my ability to merge artistic expression with cultural themes, as I strive to remain a leading force in contemporary street art.
Don't Drink and Drown Campaign
In a creative bid to raise awareness about water safety, a striking custom-painted surfboard became the centerpiece of the "Don't Drink and Drown" campaign, aimed at preventing drownings among 15- to 24-year-olds.
Perth street artist Fieldey was commissioned to design a one-of-a-kind surfboard that would resonate with the campaign’s young audience. The result? A bold, retro-inspired skull submerged in a sea of beer—an eye-catching yet sobering reminder of the dangers of mixing alcohol with water activities.
The visually striking board wasn’t just for display; it was put to action by surfer Moses Le Grice, who rode it at various events throughout 2014. The campaign successfully leveraged surf culture to drive home its serious message in a way that felt fresh, relevant, and engaging for its target demographic
In a creative bid to raise awareness about water safety, I was part of the "Don't Drink and Drown" campaign, which aimed to prevent drownings among 15 to 24-year-olds.
A striking custom-painted surfboard became the campaign's centerpiece. I was commissioned to design a one-of-a-kind surfboard that would resonate with the campaign’s young audience.
My final design was a bold, retro-inspired skull submerged in a sea of beer — an eye-catching yet sobering reminder of the dangers of mixing alcohol with water activities.
The visually striking board was put to action by surfer Moses Le Grice, who rode it at various events throughout 2014. The campaign successfully leveraged surf culture to drive home its serious message in a way that felt fresh, relevant, and engaging for its target demographic.
With its fusion of art, sport, and safety advocacy, the campaign proved that impactful messaging doesn’t have to be boring.
Custom surfboard project for Anytime fitness
When Anytime Fitness needed five custom surfboards as prizes for their 2013 annual conference in Minnesota, they turned to renowned artist Fieldey to bring the vision to life. Fieldey was excited to take on the project but quickly realised that sourcing surfboards in an inland state would be far more difficult than in Australia.
To keep things cost-effective, Fieldey arranged for the boards to be shaped in the U.S., tracking down the only shaper in a neighbouring landlocked state. With the surfboards in production, Fieldey collaborated with Anytime Fitness’ in-house design team to adapt their graphics onto digital surfboard templates.
To ensure a flawless finish, the artwork was printed onto specialised surfboard mesh inlays by an Australian company before being shipped to the U.S. for application during manufacturing. The final result? Five stunning, high-quality surfboards delivered to Minnesota just in time for the conference.
Through creative problem-solving and international collaboration, Fieldey helped Anytime Fitness make waves—without a coastline in sight.
When Anytime Fitness needed five custom surfboards as prizes for their 2013 annual conference in Minnesota, I was thrilled to bring their vision to life. I was excited to take on the project but quickly realized that sourcing surfboards in an inland state would be far more difficult than in Australia.
To keep things cost-effective, I arranged for the boards to be shaped in the U.S., tracking down the only shaper in a neighboring landlocked state. With the surfboards in production, I collaborated with Anytime Fitness' in-house design team to adapt their graphics onto digital surfboard templates.
To ensure a flawless finish, I had the artwork printed onto specialized surfboard mesh inlays by an Australian company before shipping it to the U.S. for application during manufacturing. The final result? Five stunning, high-quality surfboards delivered to Minnesota just in time for the conference.
Through creative problem-solving and international collaboration, I helped Anytime Fitness make waves—without a coastline in sight.
